French Painter, 1714-1789
Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy. Related Paintings of VERNET, Claude-Joseph :. | Morning | Shepherd in the Alps we r | View of the Gulf of Naples (mk05) | The Artist's Studio | The City and Harbour of Toulon | Related Artists:
Gallego,FernandoFernando Gallego (c. 1440 - 1507) was a Spanish painter, brought up in an age of gothic style, his art is generally regarded as Hispano-Flemish style. It's thought that he was born in Salamanca, Spain, and his first known works were in the cathedrals of Plasencia and Coria, in Ceeres (Spain). His most famous known works are:
The Retablo of San Ildefonso, in the Cathedral of Zamora, Spain
The Sky of Salamanca, in the University of Salamanca, Spain
The Retablo of Ciudad Rodrigo, now at the University of Arizona, Arizona, USA
The Arcenillas' panels, placed in Zamora, Spain
San Acacio and the 10,000 Martyrs, at the Meadows Museum, Dallas, Texas, USA
The last time that he was named in a document is in 1507, but the date of his death is unknown.
Charles conderEnglish-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
Tobias Stimmer (7 April 1539 - 4 January 1584) was a Swiss painter and illustrator. His most famous work is the paintings on the Strasbourg astronomical clock. He died in Strasbourg.
He was born in Schaffhausen, and was active in Schaffhausen, Strasbourg and Baden-Baden as a wall and portrait painter. He made a great number of drawings for woodcuts (Bible scenes, allegories, etc.) which were published by the printer Sigmund Feyerabend in Frankfurt am Main, and Bernhart Jobin in Strasbourg.
Stimmer followed Hans Holbein the Younger, but developed his own mannerism. Among his wall paintings remain the "House zum Ritter" in Schaffhausen, although this was actually much restored and changed.
